Adire eleko, woman’s wrapper (“Sun bebe/lifting up the waistbeads” design)

NameWoman’s wrapper cloth

Artist Artist Not Recorded

CultureYoruba

Dateca. 1960s

Place madeNigeria, Africa

MediumCotton, indigo dye

Dimensions74 × 69 11/16 × 1/16 in. (188 × 177 × 0.2 cm)

Credit LineMuseum of International Folk Art, gift of Barbarine Rich, A.2018.4.6

Object numberA.2018.4.6

ProvenanceThese textiles were sourced by Dr. Duncan Clarke, who earned his PhD from the School of Oriental and African Studies, University of London, specializing in aso oke (Nigerian strip weaving). He published a number of books on West African textiles and works as a high-end dealer in London. The donor purchased the textiles from Dr. Clarke. She began selectively collecting textiles many years ago and intended to launch her own private textile museum in a house beside the Wheelwright Museum on Museum Hill in Santa Fe. These plans were stalled and more recently abandoned when her young daughter was discovered to be terminally ill; she began to divest her large textile holdings.

DescriptionAccording to Yoruba taxonomy, there are two primary types of “classic” adire: eleko and oniko. Eleko is a starch-resist technique, typically using cassava or corn starch applied by hand-painting, stamping, or stenciling. Oniko involves tied, twisted, folded, or hand-stitched resist patterns, created with raffia or thread. If machine-sewn, this variation is referred to as adire alabare.

The 1960s, during Nigeria’s post-Independence era, marked a period of increased popularity and market expansion for adire. This era fostered innovations in design, techniques, and the use of diverse dyestuffs and base fabrics. However, by the 1990s, experimentation had largely supplanted the production of “classic” forms, which were deemed old-fashioned. Today, high-quality “classic” adire is rare. According to our regular collaborator, Gasali Adeyemo, adire of this caliber is no longer produced in Nigeria and is considered incredibly valuable.

Adire patterns often take their names from dominant motifs, but artists have significant freedom to interpret or combine these motifs with others, creating a vast array of designs numbering in the hundreds.

This adire eleko cloth features 56 dyed blocks arranged in rows of seven. Each row alternates between two distinct geometric patterns, with each row showcasing a unique combination. The patterns include circular, striped, dotted, rectangular, and squared designs, offering a diverse visual array. One particularly striking pattern resembles a fern, adding an organic element to the composition. This intricate layout demonstrates the versatility and artistry of the adire eleko technique.