Adire eleko, woman’s wrapper (“Ore merin/Four friends” design)

NameWoman's wrapper cloth

Artist Artist Not Recorded

CultureYoruba

Dateca. 1960s

Place madeNigeria, Africa

MediumCotton, indigo dye

Dimensions73 1/4 × 70 1/16 × 1/8 in. (186 × 178 × 0.3 cm)

Credit LineMuseum of International Folk Art, gift of Barbarine Rich, A.2018.4.2

Object numberA.2018.4.2

ProvenanceThese textiles were sourced by Dr. Duncan Clarke, who earned his PhD from the School of Oriental and African Studies, University of London, specializing in aso oke (Nigerian strip weaving). He published a number of books on West African textiles and works as a high-end dealer in London. The donor purchased the textiles from Dr. Clarke. She began selectively collecting textiles many years ago and intended to launch her own private textile museum in a house beside the Wheelwright Museum on Museum Hill in Santa Fe. These plans were stalled and more recently abandoned when her young daughter was discovered to be terminally ill; she began to divest her large textile holdings.

DescriptionAccording to Yoruba taxonomy, there are two primary types of “classic” adire: eleko and oniko. Eleko is a starch-resist technique, typically using cassava or corn starch applied by hand-painting, stamping, or stenciling. Oniko involves tied, twisted, folded, or hand-stitched resist patterns, created with raffia or thread. If machine-sewn, this variation is referred to as adire alabare.

The 1960s, during Nigeria’s post-Independence era, marked a period of increased popularity and market expansion for adire. This era fostered innovations in design, techniques, and the use of diverse dyestuffs and base fabrics. However, by the 1990s, experimentation had largely supplanted the production of “classic” forms, which were deemed old-fashioned. Today, high-quality “classic” adire is rare. According to our regular collaborator, Gasali Adeyemo, adire of this caliber is no longer produced in Nigeria and is considered incredibly valuable.

Adire patterns often take their names from dominant motifs, but artists have significant freedom to interpret or combine these motifs with others, creating a vast array of designs numbering in the hundreds.

This example is an adire eleko cloth featuring a hand-drawn ore merin (“four friends”) design. This wrapper is composed of 36 blocks, each showcasing four distinct geometric patterns:

One pattern consists of unevenly arranged dots and splotches.

Another features small squares divided into two triangles—one solid with a centered circle, the other filled with stripes.

The third pattern displays numerous asterisk-like shapes.

The fourth pattern includes squares with single asterisk-like motifs positioned in the corners, accompanied by a cross-hatched cross in the center.

This dynamic arrangement of geometric designs highlights the artist’s creativity and skill in interpreting the ore merin motif.